I've had "Living in Technocolor" for a few weeks now. In between random other releases, I found myself going back to the project and blasting it. It's a great listen. Lyrically, the production and the overall concept is dope and delivers yet another layer of the Milwaukee emcee.
"Living in Technocolor" is the follow up to Raze's "Dreaming in Greyscale", coming almost two years after that release and fresh off the success of House of M’s "The Alternate Reality Of…"
The Prologue sets the stage. The Epilogue raps it up nicely. And all the tracks in between deliver on the 21 track LP. And from tracks like "One Hunnid" (talking about all the fakeness in music) to "Rosie Palms" (talking about "self love"), Raze brings a colorful spectrum to his music and this project.
Raze is one talented dude.
Raze has been featured on the blog a few times but we've never interviewed him. So, I reached out to Raze to talk about the new project and one of his favorite subjects, women.
Enjoy.
The Mad Bloggers: What's the difference between "Dreaming In Greyscale" and "Living in Technocolor"? As an artists, do you think you've grown between the two projects?
Raze: DiG (Dreaming In Greyscale) was essentially the story of the man behind the music. LiT (Living in Technocolor) is the music behind that man. DiG was a "how I got here" of sorts. My life experiences, whereas LiT is the product & artistic application of those experiences. Yeah, I feel I've grown, I've had to! As a father, husband, group member/leader, baby daddy, etc. (LOL) The maturity of this album I think really shines through. I've learned how to say some pretty direct and sometimes crass things, in a much more digestable way.
Raze: Well, I started working on LiT in December of '08 right after DiG dropped (that July) after I left my former crew. Shortly after I started recording (4-5 songs in) I OFFICIALLY joined the House of Mutants. I did some work with Gambit & SoulMatikk (formerly D'Matikk) exclusively, and those demos turned into some of the tracks for "The Alternate Reality of..." (The House of Mutants group album of '09). I also put out a "mixtape album" called "Lust Love Hate" comprised of some older material and some new material around those subjects, cuz I felt it really hadn't been explored that deeply in my genre. That was well recieved, but really I took a break from the solo album to focus on the group album and to help put out JC Poppe's debut album "Sleep Therapy". It was definitely a good move because I learned a lot during the recording/producing of those albums, which I applied to LiT. It made sense because we wanted to springboard the solo albums of the House of Mutant emcees off of the group effort, instead of the other way around. It fit the "House of Mutants storyline" better that way in the long run...You'll all see soon after it plays out.
TMB: How long did it take for you to put together "Living in Technocolor"?
Raze: Like I said, I started recording in '08, but took essentially ALL of '09 off. So I guess it'd be fair to say I worked on this album maybe 6 or 7 months total?
TMB: Who did you work with on this new project?
Raze: Well, who DIDN'T I work with is more like it (LOL). I can honestly say minus a VERY few names, I worked with some of the most talented artists in Milwaukee and one in particular beyond. It was great to be able to have so many dope cats down for MY project. I worked with the House of Mutants crew (Lou Tang, Soulmatikk, Trellmatic, myself) plus FINALLY linked up with Miltown Beatdown legend Jihad Barakus. I got a track by Edward Cayce of The Hollowz and my boy SosaDaGr8 who's been a web homie for years. To help with the R&B/Poetry side of things, I got my sister Elle Razberry, Patrice Downey, Bobby Drake and Ms. Cream. I was blessed with gettin verses from APRIME, Frankie Flowers & SPEAKeasy on various songs as well. Plus I got some cameos from Gambit and JC Poppe and this cat named Yung Lil Bullshit that's doin big thangs right now. I've never been one for too many guest appearances on solo albums, but I truly needed these artists to complete the vision and they came thru amazingly for me and I'm beyond grateful for it!
TMB: You seem to tackle a lot of things in your music (Rosie Palms for example off the new project), where does that boldness come from?
Raze: Fam, if people only knew what goes thru my mind half the time...LOL. I've always been outspoken and opinionated. Sometimes it's a good thing, sometimes not so much, but I've accepted that THAT'S ME. So I just put my thoughts/feelings out there and see what happens. Like "Rosie Palms" for example, WHO DOES THAT?!? It's somethin EVERYBODY (don't be a fkn lie) has had an experience or 1000 with, so I wanted to spit on it (PAUSE). But I ain't wanna do it on some regular ish, so I took it to a storytelling/personifying tip. I love that track.
TMB: I've heard you be called, "a creative pillar of House of M", so how is Raze the solo artist different than Raze the member of House of M?
Raze: When you're in a group, its a democracy. So each member has a voice, but each voice is really just a different octave of the OVERALL vocal. A "Rosie Palms" or "Oh Baby" prolly would've been veto'd prolly on a group album, but "Starz at Nite" (from The Alternate Reality of...) wasn't because THE WHOLE could connect and relate, plus be comfortable rhymin bout it.
TMB: What's the hardest thing you're finding out with promoting/pushing your music?
Raze: That the game ain't what it used to be. I mean, I've BEEN known this, but it's kinda disheartening now because as an indie artist, our legitimate ALBUM RELEASES are outshone by web leaks of major artists. Sure, the internet has somewhat levelled the playing field to a degree but there's still so much financially and promotions wise we still can't compete with...unless we pull some Kat Stacks type BS or get a hood model chick to be our girlfriend...LOL
TMB: I've heard the ladies love Raze (LOL). What's that all about?
Raze: Back in the day I was a hoe...no lie. I mean I can't reiterate that enough. I am probably the Wilt Chaimberlain of Milwaukee's hip hop community. I can't say I'm proud of that, but can't say I'm ashamed either. All I know is women have always been attracted to me. I think I've always been a strong, leader type dude that doesn't sugar coat, so amongst an ocean of dudes tellin them what they WANNA hear, I'm givin 'em the real and maybe that built some kinda intrigue or somethin. I dunno, but I'm appreciative of them all....errr, MOST of them (LOL)
TMB: Random question, if you were stranded on an Island with three women, who would they be and why?
Raze: Jill Scott, Kelly Divine and my wife. Jill could sing to me, spit that dope poetic angelic ish. Kelly Divine (porn star) could basically fuck my brains out CONSTANT and my wife could join in with Kelly PLUS keep me fed wit the "white girl chicken" or white girl coconuts...or white girl wild boar...or...you get it (LOL)
TMB: Right, right (LOL). And well, back to the music, if there was one thing you'd want people to take from "Living in Technocolor," what would it be?
Raze: My biggest wish for Hip Hop, and really urban music in general is the return of THE TRUTH to the forefront of it all. I'm tired of gimmicks, tired of rappers gettin exposed, all because they just couldn't "keep it one hunnid" in their songs. If you're a truly talented person, your highs and lows of your past will be forgiven. Because ultimately, it's all about the music, right? Life is vivid, multi-dimensional and colorful as hell. So take advantage of all life gives you. Or, maybe I'm still Dreaming...
Preview "Living in Technocolor"
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