Wednesday, February 10, 2010
The Journey To Hip-Hop...Milwaukee: JC Poppe
Back when I first reviewed Sleep Therapy by JC Poppe, I had said the following quote about the CD; "Hailing from Milwaukee, Wisconsin, JC Poppe delivers a solid effort in his newest effort, Sleep Therapy. If this album should be any realization, with quality tunes like this, how can you get any sleep?" But there's a lot you don't know about JC; he's currently with HiPNOTT Records, and is getting ready to keep the plethora of material flowing with another album aptly titled Tea Party. Here you get to see JC speaking on a ton of stuff, so without further adieu, here we go!
Egypto Knuckles: Talk about your first memories of music, especially Hip-Hop. What was the exact moment in time where you said "This is what I want to do"?
JC Poppe: I first heard Hip-Hop music in 1987 when I was 5 years old. At that time, everything was new to me of course because I was so young, so my love for Hip-Hop wasn’t a conscious decision as much as the result of being surrounded by it and growing up with it constantly in my life. I wish I could pinpoint the moment I fell in love with it, but it just has always been with me. I don’t honestly remember a ton from back in those days but I do remember being a huge LL Cool J fan and I had to see the movie “The Hard Way” with Michael J. Fox and James Woods just because LL was in it.
Egypto Knuckles: Being a figure in the Milwaukee scene, talk about some of your history in Milwaukee. What life experiences shaped your world view and helped shape your subject matter in your songs?
JC Poppe: I mentioned that I have been listening to Hip-Hop since I was 5. Honestly, the reason for this is because I attended a school in the inner city of Milwaukee. Edward A. MacDowell on 17th and Highland. The 5 years I spent at that school set the tone for the rest of my life I suppose because diversity was a part of my life from like the get-go. Because I was bused in from the ‘burbs I got to go to my safe home with hot food every day, but I become very aware of the fact that that wasn’t everybody’s reality. I learned a ton about socio-economics and the racial tensions Milwaukee and the metro area had…and still has unfortunately.
I guess growing up knowing all that stuff as well as all my other life experiences has driven me to make real music and not fluff. I mean, there’s enough fluff out there and in my opinion there is not enough “look at yourself in the mirror” music. I’m a Hip-Hop artist so I do my fair share of rapping about rap and smack talking, but I really try to be transparent in the hopes of giving the listener something more than just music…maybe a connection. I know that not everybody shares the same experiences, ideas, and beliefs, but maybe I’ll catch someone that falls close to the shades I choose to paint my pictures with.
Egypto Knuckles: What are some of your thoughts on the Hip-Hop scene in Milwaukee? What makes it unique?
JC Poppe: The Milwaukee Hip-Hop scene to me is like LeBron James in his senior year of high school. There is so much talent there, but it hasn’t converted into the pro levels quite yet. I strongly believe that it will. The future may prove me wrong, but until it does, I’m holding on to the belief that Milwaukee can hold its own against any other city and will compliment what the established scenes of Minneapolis, Chicago, and Detroit, have already done for the Midwest.
What makes us unique is that we all know each other to some degree…I mean for the most part. You can’t know everybody of course. But I mean, I just took a few moments to go through my phone and I can’t believe the amount of numbers I have from people connected to the Milwaukee scene. I’m guessing everybody else is like that as well but I can’t speak for them of course. We just have so much accessibility to each other. I don’t know if other cities have that so that’s what’s unique about Milwaukee.
Egypto Knuckles: Talk about your discography here. What projects have you released and what makes each one its own body of work?
JC Poppe: This is great, I just wrote a song about this actually. Well, back in 2004 I made an unofficial entry into the Milwaukee Hip-Hop scene through my first EP called “The Anger EP”. It was a little 4 song demo that I was hoping to get attention with…and it did, but mainly just with my friends who honestly had always made fun of my wanting to rap up to that point.
I tried to get that project into people’s hands all over the place but I wasn’t part of the club scene so I had to kind of piggy back off of the producer/engineer of the project whenever he had a show. He was a Christian artist so I kind of had to watch myself since he was playing to lots of church groups and stuff like that. Honestly, it helped me to really use my vocabulary better when writing songs because as long as I was working with him I couldn’t swear.
Well I kind of started paying my dues right away. Milwaukee had this GREAT Hip-Hop show called The Late Night Hype Show from like 1998-2008 (that’s an approximation…but it’s close) on 91.7FM WMSE. It was every Tuesday night and it was a huge goal of mine to get onto that show. Well I gave them my music and the DJ, Aaron Wade, dug it enough to play it and maaaan did one of the co-hosts (Bobby Brewski) rib the hell out of me. He refused to say my name right and kept saying I was a nobody that came out of thin air, stuff like that. It was harsh but I understood it. Nobody did know who I was. I wasn’t insulted, but it was definitely a “get yo mind right” moment for me. Years later I got a chance to talk to Aaron about it and we laughed over beers. I’m sure Bobby Brewski STILL has no idea who I am. Maybe my next album will change that.
The show that ended up taking over for Late Night Hype was the MadKids and they kept the tradition alive of bringing great Hip-Hop to that Tuesday night slot. However, the DJ who runs the show, Kid Cut Up, actually tossed that first EP in the trash at an underground Hip-Hop show that I was working merch at for my producer/engineer friend. He stopped by to give me his mix CDs and so I gave him my EP and I watched him pitch it later on. I’m sure he doesn’t even remember this, but again, that was another “get yo mind right” moments. I really needed to make sure that my skin was tough enough to accept stuff like that. And again, there’s no beef…Cut Up has played my music on his show and had me come on for a great interview and he really does support local music. He probably didn’t have room in his pockets for it that day.
It’s just been a long time since 2004 and I have to send a shout out to B. Reith for all his help. He’s down in Nashville and signed to Goatee Records and has been doing his thing for several years now. He gave me my first shot and I’ll always be grateful for that.
I have a ton that I could say about the two failed EP attempts that followed “The Anger EP” and I could talk about Sleep Therapy again, but I’m sure this answer is already too long.
Egypto Knuckles: Say you were showing a person around Milwaukee and its different locales for Hip-Hop. Which places to you are worth frequenting?
JC Poppe: Well with me, nothing is worth doing on an empty stomach and regardless of the fact that it’s not a Hip-Hop spot, we’d have to stop at AJ Bombers for the best burger in Milwaukee. Then after that your best bet would be to hit up Center St. in the Riverwest section of the city. There are several places on that street that are dedicated to hosting Hip-Hop shows and DJs. Mad Planet is the place to go if you care about sound…everything sounds good there. Stonefly is the place to go to be seen. The sound is shitty but it’s big, the drink prices are decent, and it’s a decent chill spot. Quarters is generally where you want to go if you are looking for the hood shit but it’s pretty small and can get crowded ASAP. If you like hood shit Texture would be more up your alley…it’s an actual club and not just a spot. If that fails, The Highbury in Bayview or BBC/Live on North on the Eastside are places you can typically find some dope shows or DJs. The Jackalope Lounj use to be the spot but they’ve cut back. And then after all that, you have to get a late night meal and all depending on the day it’s either Oakland Gyros, Pizza Shuttle, Streetza Pizza, Jimmy Johns, or AJ Bombers again.
Egypto Knuckles: Anything else you'd like to tell the folks out there?
JC Poppe: Yes. Basically, if people have taken the time to read this interview and really don’t know anything about the Milwaukee Hip-Hop scene, get familiar with it STAT! There’s too much talent to bypass. Start with the Yo! MKE Raps compilation I put together…you can just Google that or grab it from HipHopDX (they sponsored it)…it’s free and does a decent job of just giving the listener a taste of what’s out there.
Lastly, if you like an artist from MKE, buy our music. Most of us are on iTunes or CDBaby.com. We don’t have label budgets and a marketing department. We just have our love for the music. Big shout out to all who support the small guys (and girls) and peace to every Milwaukee artist trying to do it the right way.
Oh yeah, one last thing...I have a new album coming out this May/June called Tea Party so keep an eye out for that...as well as my homie SPEAK Easy's new album So To SPEAK...not too mention the new solo joints A.P.R.I.M.E. and Raze (both of the House of M) are going to drop...and go and get that new Dana Coppafeel that just came out on CDBaby.com.
"Get Live With It (Remix)" Featuring Guilty Simpson; produced by Dave Audiopilot Derrilykt
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The Journey to Hip-Hop ... Milwaukee: Misen Lync
The Umbrella Music Group is set to deliver another bangin’ project. If you are not familiar, check out UmbrellasUp.com and see what they are all about. Misen Lync is a group of three UMG artists - Maal Himself, Toine Jay and TKS. They are getting preparing to release "Both Sides of the Mirror" soon.
Kidz In The Hall - Jukebox (Video)
Check this video out by Kidz In The Hall titled "Jukebox" off their upcoming album "Land of Make Believe. This video was directed by BB Gun.
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The Journey To Hip-Hop...Milwaukee: Frankie Flowers
He released his sophomore album, "New Beginning," which is more and more showing why people should look to Frankie to provide a great deal of knowledge and guidance in his music, and it shows in his craftsmanship. Here, Frankie tells us the creation of two of his most important songs; "Black In America" off "The Storyteller," and "Chasing Dreams" off "New Beginning." As a note from me; the words here are of Frankie Flowers. No alteration has been made.
Black In America
I just left from the studio in North Hollywood heading home. I was sitting on the couch with my laptop going through CDs full of beats that an engineer wanted me to check out. This track came on with this sample that touched me deeply. All I kept hearing was the sample repeating in my head “try…to understand…the way you feel…the world for them…is too unreal…so you’ll only hear………only hear…”. Right then I began breaking down the sample into meanings.
1. “Try…and understand…the way you feel”-I had just finished talking with someone who asked how did I like being out in Los Angeles, being that I’m from Milwaukee. The move was a culture shock because out in LA I rarely saw many blacks outside on a daily basis, unlike in Milwaukee. The blacks that I did encounter were very bourgeois or standoffish, and at times were nonsocial to an outsider like myself. Then dealing with other ethnicities became a hassle as well because they were either making fun of blacks, or believing everything they had seen from TV about blacks, mainly BET or UPN.
2. “The world for them…is too unreal”-my experience out in California felt like the MTV show Real World. It was surreal at times. Most people whom I met from Cali never had to leave so they thought that partying, shopping and being at the beach all the time was the way of life for all. On the flip side, “the world for them is too unreal” was taken into context of “them” being black people. Even now more blacks are enslaved through the prison complex and are in a mental state of solace.
3. “So all you hear…”-I sat and thought about what a man told me while riding the bus and subways a few nights before. He said “none of us was ever supposed to be free”. He felt that the actions of blacks in modern day were outrageous. Lack of unity, low morals, no respect for self and no motivation to help our own gave the rest of the world reason to believe the stereotypical images from all media outlets. As “only hear…” repeats throughout the song, I thought about what I’ve heard throughout my life about what people thought “being black” really means.
So throughout the song, I give my opinion on what being Black in America is as a black man. I touch on issues the black community face like black men running away from the responsibility of fatherhood, black men trying to make a quick dollar from the sale of drugs, and trying to prove their toughness or machismo by having guns.
Chasing Dreams
I was on a flight back home to Milwaukee looking out the window admiring the greenery. As I looked out the window, I thought about all the ups and downs I’ve experienced while living out there, and was trying to decide if I wanted to return. The song opens up with me asking the listeners “would you believe or doubt someone if they told you a year from today your life’s going to change if you follow your heart?” That is what I was told prior to moving out west. I chose the title “chasing dreams” because a lot of naysayers said it would be foolish for me to leave my job and everyone I knew, to move across country chasing a dream.
I was angry and frustrated for numerous reasons. I had gone from a place of comfort to an unknown land. I had no support from my uncle who initially convinced me to move west, and ultimately abandoned me after deals did not go through. Eventually I became homeless and ended up doing whatever I could to make it. Being homeless was a humbling experience. I learned valuable life lessons and also it allowed me to control my emotions at the same time express myself more poignantly. So when I started writing this song, I wanted people to be able to relate to pain in general. The pain of not having, of feeling betrayed, of feeling like a failure, and even questioning ones faith. I thought that my hometown had it rough during the beginning stages of the recession, but while out west I witnessed poverty on another level. I couldn’t foresee other people’s hardships while living in a secluded environment such as Milwaukee.
“Once I opened up my third eye I knew what it’s like there” is a reference to me finally waking up to the reality of many living in harsh conditions everywhere, as stated in the second verse. I also wanted people to have a sense of hope after fully listening to this song. Many of us all have heard “be careful for what you wish for, because you just might get it” growing up. Sometimes we go searching for something not realizing it’s been right in our face all along. I felt I had to leave to fully find what I was looking for. But had I not taken that chance and followed my heart, I wouldn’t have seen all that I’ve seen nor would I have a better understanding about life’s quest for us all. Maybe chasing dreams isn’t so bad after all? Only you can make that decision though.
You can check out Frankie Flowers here:
http://www.myspace.com/frankieflowers2
http://www.twitter.com/frankieflowers2
http://www.youtube.com/frankieflowers86
His albums; "The Storyteller" and "New Beginning" can be copped here:
http://cdbaby.com/artist/frankieflowers
Thanks again to Frankie Flowers.
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Tuesday, February 09, 2010
The Journey to Hip-Hop ... Milwaukee: SPEAK Easy
Our journey to Hip-Hop continues with Milwaukee born and raised, SPEAK Easy. I dig SPEAK Easy's music. It's real. I was impressed by his "Well Spoken" album and look forward to his new project, "...So To Speak". Catch a leak off that joint below.
I reached out to the homie for a Q&A.
The Mad Bloggers: Where did you grow up?
SPEAK Easy: North/North-West side of Milwaukee. My grand parents were tremendous providers.
TMB: How long have you been doing music?
SPEAK Easy: I've been spittin for over 14 years from cyphers to talent shows to albums and venues.
TMB: I know you have a "9-5" trying to influence young people, how does that impact your music?
SPEAK Easy: My 9-5 is to serve youth in Milwaukee with mental health concerns and their families. My music paints a picture of something they can relate to all the while maintaining artistic integrity.
TMB: Which one of your tracks best describes who you are as an emcee?
SPEAK Easy: On my new album '...so to SPEAK' I have a song called "Who Am I" where I really open up about who I am as a man first and as an emcee second. Off my last album 'Well Spoken' I have a track called "Ice Cold" that you guys put on your site speaks to my lyricism. Another track off that project is called "The Difference" and its an open letter to Black America addressing several things we encounter.
TMB: How would you describe your sound?
SPEAK Easy: Lyrical, inspiring and insightful messages over really dope beats. Essential Hip-Hop Music.
TMB: In your opinion, what's the state of Hip-Hop music?
SPEAK Easy: Hip-Hop music is great. When I can play Little Brother, Mos Def, Reflection Eternal and Slaughterhouse projects non-stop they have to be doing something right artistically. However, the "industry" of Hip-Hop music is suffering due to various reasons. One being that there is no balance/exposure of ALL types of Hip-Hop.
TMB: What projects are you currently working on?
SPEAK Easy: I'm working on my new album titled '...so to SPEAK.' It's put together by myself and my great friends at Grown Man Collective.
TMB: If there was one thing you'd want people to take away from Milwaukee Hip-Hop what would it be?
SPEAK Easy: That we have a lot of quality music here and we're not to be taken lightly.
"Outta your League"
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Check It ... @VVBrown "Crying Blood" (Acoustic Vid)
Check out VV Brown's acoustic video for "Crying Blood".
VV BROWN LIVE DATES:
February 15 Brooklyn, NY @ Brooklyn Bowl (Free!)
February 18 Philadelphia, PA @ Mar Bar
February 19 Washington, DC @ DC9
February 22 Boston, MA @ Great Scott
VV BROWN:
www.vvbrownus.com
www.myspace.com/vvbrown
www.twitter.com/vvbrown
youtube.com/vvbrownus
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Monday, February 08, 2010
#MusicMonday ... Nneka "The Uncomfortable Truth"
Damn, I missed a Music Monday or two. I've been wrapped up with pulling together this Journey to Hip-Hop series and just living life. I figured I'd throw something out there today. I really like Nneka. If you're unfamiliar, get familiar ... ASAP! Enjoy and happy Monday.
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The Journey to Hip-Hop ... Milwaukee: House of Mutants
As one of my favorite female Milwaukee emcee, Melissa Czarnik, said to me recently, “we are most definitely brewing something other than beer here in Milwaukee right now.”
It’s such a true statement. They are brewing up some great Hip-Hop (which should be evident by the posts in our Journey to Hip-Hop series). The House of M is one of those examples.
I found the House of M by way of Dana Coppafeel. "House of M The Alternate Reality of …" is true Hip-Hop! The crew straight out of Wisconsin is made up of producers D’Matikk, Trellmatic, Dylan Thomas and Lou-Tang; emcees Gambit, Ecko, A.P.R.I.M.E. and Dana Coppa; emcee and producer Raze and DJ DeadBeat. Together the crew creates a powerful sound, rich with classic Hip-Hop influences and a style of their own.
Their tracks are dope! Production is tight! The flow is great! The interludes are amazing! Every track is great as a solid standalone but come together nicely to tell a story of the “Mutants” that form the House of M.
What really impressed me, outside of their flow and story telling technique in tracks like Superhero Shorties, The Initiative, Superman Ain’t My Name and In Your Mind – were their interludes. Their interludes, which are thought out and well executed, poke fun at the word swag (so many variations) and some of the mainstream radio trash (including shots at auto-tune). Very few albums include interludes anymore and to me, they’re important and help make a project well rounded and complete.
The House of M delivers a complete package of well-delivered hip-hop. I strongly suggest you check out House of M The Alternate Reality of …
AVAILABLE ON iTUNES
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The Journey to Hip-Hop...Milwaukee: Scott Knoxx
Scott Knoxx: My furthest memories go back to me & my neighbor sitting on the curb, listening to RUN DMC. I was pretending to be DMC and he’d Run. I also remember battling my brother in the kitchen while we cleaned up. I use to ask teachers to rap in front of class if we had down time, because Hip-Hop is something I’ve always loved from day one!
Scott Knoxx: I’m born & raised in Milwaukee, and didn’t know anything else until I was about 17, but music has always been my escape. I recall when I was about 8 or 9 years old, we stayed in a middle class neighborhood. After my parents split, we moved to Sherman Park, which is where I became a man. Life over there was different; I learned a lot from my hood, that’s why I think the folks in Milwaukee feel me, because I can tell the same experiences, so they can live through me.
Scott Knoxx: We really do Hip-Hop because we love to do Hip-Hop. If you rap here and people know who you are, it’s because your grind is crazy. There’s no strong radio presence here that’s supports home, just the streets and the club DJ’s, so that’s how you got to make your name. I run the #1 club in the city (Texture Night Club) so even if you don’t know I rap, you know who I am. I show love to the rappers from my hometown, so if you’re hot in the 414, then you’ve performed at my spot!
Scott Knoxx: I’ve done a ton of mixtapes, which can be found on datpiff.com, such as “Live from the Animal House”, “Independence Day”, “HoodFellas”, “Record Breaker Radio,” and so on. Independently I’ve released “Miltown Millionaire” and moved over 25,000 copies out of the trunk of my car. I’ve finally finished my new album, “Gorilla Monsoon: Miltown Millionaire Vol. 2”. I really wanted to establish the Animal House, since they showed me a lot of love and gave me a lot of heat. This album feels bigger, the music feels bigger, the songs are deeper, and it was done over a 2 year span. So it’s all over the place, But I feel like it’s the best project I’ve done to date. I’m also in the middle of recording a group project with Money B from Digital Underground M*A*S*K (Money B And Scott Knoxx) This is jus t one hell of a project, because we got DJ Premier Ras Kass, and Rhymefest just to name a few…. But recording wit Money B is just plain fun, and the music is always good!
Say you were showing a person around Milwaukee and its different locales for Hip-Hop. Which places to you are worth frequenting?
Scott Knoxx: You can check me out here:
http://www.facebook.com/scottknoxx
http://www.twitter.com/scottknoxx
http://www.moneyb.net/
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Saturday, February 06, 2010
The Journey to Hip-Hop ... Milwaukee: Dylan Thomas
We continue on our Journey to Hip-Hop through Milwaukee, with Dylan Thomas up next. The emcee turned producer has an impressive discography and many of the artists we've featured so far and some of the artists coming up have a track produced by Dylan Thomas. That says a lot about his influence and talent.
His tracks, dope. I dig his style, a lot. I reached out to Dylan Thomas for a Q&A. Enjoy.
The Mad Bloggers: Where are you from? Where did you grow up?
Dylan Thomas: I was born and raised in Racine, WI (25 miles south of Milwaukee). It’s a small city with a big city feel. Racine is located between Milwaukee and Chicago, so most people head north or south on the weekends.
TMB: How long have you been producing?
DT: I was an emcee before I started making beats. I really wasn’t feeling the beats that were being made in my area. My guy Robert Hollingsworth hooked me up with a computer program in the fall of 1999. That computer program was Mixman Studio Pro. I was away at college at the time but I would make a point of going home on the weekends to sample my pops extensive record collection. Me and my guy Phraim, from Chicago, pretty much freaked the program way past its potential and later graduated to Fruity Loops in 2000. Around the same time I bought the MPC 2000XL. The rest is history.
TMB: What equipment do you use to create your tracks?
DT: I still use the MPC 2000XL, Fruity Loops, stacks of records and a MicroKORG.
TMB: As a producer, who are you influenced by?
DT: I have been influenced by the greats: Dilla, Primo, Madlib, Pete Rock, Dre, and the Rza. I am also influenced by my peers that are making good music: Haz Solo, Adlib, Phraim, Dima, Lex Luthor, Trellmatic and the Ricanstrukta.
TMB: What's the concept behind All Jokes Aside?
DT: It started off with me sending beats for Haz to work on. I had done work for him on a couple of his albums prior to the All Jokes Aside album. Anyone that knows us knows that we spend a lot of time ribbing on each other and anyone around. I would always joke around that I could spit better than a lot of emcees in my area. I finally penned something, recorded it and sent it to Haz. He loved it, wrote and recorded his verse and that ended up being the first track for the album, “Don’t Turn Around.” After we played that joint for a couple of people and got some positive feedback, we basically said fuck it and decided to make a loose feeling album centered around our love for dope beats, fresh lyrics and comedy. Anyone sitting in on our studio sessions saw the chemistry was there and nothing was forced and that feeling is captured in the flow of the album.
TMB: How many projects have you worked on before And It Was Good
DT: Man, I’ve worked on tons of projects before AIWG. Some of the most significant projects were “The Vero Project” (an instrumental album 2003), “The Collective” (an album featuring six emcees 2003), “The Street Scholar” (Adebisi’s solo album. I produced eleven tracks 2005), “The Racine Stories” (Tom Wood’s solo album. I produced seven tracks 2006), “Life is a Heist” (Element’s solo album. I produced two tracks 2007), “Mo Profit, Mo Progress” (Prophetic’s solo album. I produced five tracks 2008) and all of Haz Solo’s albums (too many to count). I most recently did work on JC Poppe’s “Sleep Therapy (four tracks 2009), The House of M’s “The Alternate Reality of…” (two tracks 2009), Kash’s “Black Bauer mixtape (two tracks 2009), and One Self’s “I of the Storm (ten tracks 2010).
TMB: What projects do you have upcoming?
DT: In the near future you can hear my work on albums from Tay Butler and Frankie Flowers. I’m still working with Haz, Proph, JC Poppe and Element. I’m also working on a solo album (recorded the first two tracks today.)
TMB: If there was one thing you'd want people to take away from Milwaukee Hip-Hop what would it be?
DT: Its diverse. Its fresh. Its bubbling. Its…oh…that was three things, my bad. One thing … hmmmm … Milwaukee Hip-Hop is untapped, therefore any astute listener can pick up on how hungry we are.
"Crills" Haz Solo and Dylan Thomas [All Jokes Aside]
"Phone Sex" Haz Solo and Dylan Thomas [All Jokes Aside]
Purchase "All Jokes Aside"
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Friday, February 05, 2010
The Journey to Hip-Hop ... Milwaukee: Rusty Ps
Here's a track by the Rusty Ps that I'm digging. Got that throwback Hip-Hop feel, DJ scratches and all. Milwaukee definitely has some talent. Check it out...
Rusty Ps - Don't Stop
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Hip Hop’s Cool Again (The Mixtape)
Shoutout to Oddisee, Blu, Exile, yU, XO, Trek Life & Fashwan for the good music dudes put out and shoutout to whoever put this mixtape together. Had to spread the word. Good music will prosper! Haha.
In preparation for our gig in Paris together on February 16th, this mix-tape was put together.
matic « Le Hip Hop Sur Ecoute » prĂ©sente:
01. Frequency Modulation (prod. Exile)
02. Diamond District - Who I Be (prod. Oddisee)
03. Fashawn – Ecology (prod. Exile)
04. Trek Life – Big Picture (Remix) (prod. Oddisee)
05. Blu – Dancing In The Rain (prod. Exile)
06. Oddisee – Hip Hop’s Cool Again (prod. Oddisee)
07. yU – Thought About It (prod. yU)
08. XO – Blah Blah (prod. Oddisee)
09. Do It (prod. Blu)
10. Trek Life – Hard Work (Remix) (prod. Oddisee)
11. Fashawn feat. Exile – Bo Jackson (prod. Exile)
12. Diamond District – The District (prod. Oddisee)
13. No Mine (prod. Blu)
14. XO – Fast Life (prod. Oddissee)
15. Blu – My World Is (prod. Exile)
16. yU – Lunchin (prod. Oddisee)
17. Fashawn feat. Blu – Samsonite Man (prod. Exile)
18. Trek Life – Cold For That (prod. Oddisee)
19. The Sound Is God (prod. Exile)
Fashawn, Blu, Exile, Diamond District (Oddisee+yU+XO) & Trek Life
« Hip Hop’s Cool Again » (The Mixtape) Download
(Autres liens: RapidShare – MegaUpload)
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