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These are not ‘pop’ songs. These are not video singles. These are not Top 10 hits.
This is the heart and soul of why I do what I do when I do it. This is a personal offering.It’s my huge THANK YOU to all of the people who have supported the Eternia & MoSS: “ROAD TO RELEASE” video episodes online over the last 6 months. I hand-picked these songs from the past decade, b/c I felt they are overlooked, they are the most personal to my life, and they reveal my growth as an artist.
To those that this mix was made for: ENJOY.
humbly,
e.
Leah Smith is looking for the most creative interpretation from her fans of her latest single, "Monster". 30 second videos can be uploaded to http://bit.ly/leahsmithmonster and can be anything from dancing, singing, miming, etc. You must include your name and email address with your submission. The best video submission chosen by Leah will be featured in one of her upcoming fan videos. The winners will also receive an autographed copy of Beautifully Made EP, framed lyrics to Monster with exclusive artwork from Leah’s graphic designer, and a free iPod shuffle. All submissions must be submitted by 11:59 pm on Monday, December 21.
"Nneka presents The Madness (Onye-Ala) as an introduction to her first US album, Concrete Jungle in stores February 2, 2010 on Yo Mama/Decon/Epic. The album is collection of tracks detailing her personal experience growing up in Nigeria, the corruption and beauty found there and the universal themes of love, growth, and seeking the ultimate truths. The Madness (Onye-Ala) is a peek into the life and sounds of Nneka, as well as a tribute to the influence Hip Hop has had on her music.Check this joint out! Enjoy!
Fresh off a featured role in the blockbuster video game, DJ Hero, J.Period presents The Madness (Onye-Ala) as the next chapter in a long line of game-changing mixtapes presented in his unique, storybook style. The acclaimed DJ, Producer & Mixtape King has redefined the mixtape genre with collaborations with the likes of Mary J. Blige, Kanye West, Lauryn Hill, Q-Tip, Talib Kweli, The Roots, Nas, Big Daddy Kane, and others. J.Perid’s most recent work, “The Messengers” (a collection of Fela Kuti, Bob Marley and Bob Dylan remixes featuring K’NAAN), has yielded over 150,000 downloads since its release in September 2009."
What's up folks. Thank you for hitting us up for the second installment of Conversations With Tha Cataclysm. Every Friday, I will feature a guest here discussing the finer points of creating hip-hop. In the future, we will discuss a range of topics such as the technical aspects of beatboxing, the mindstate of a battle MC, engineering a hip-hop record, and more. We will also be featuring artists discussing the technical aspects of their albums.
This second episode is co-sponsored by my boys The Mad Bloggers. My guest this week was a frequent guest on my former television program during its tenure on CT public access. (R.I.P. Hold Up And Analyze) Since then, he has gone on to drop for solo projects including his latest EP Hydrostatic Equilibrium. You could pick up his past releases on Little Ax and his own RisingSunQuest.com Ladies and gentlemen, The Rising Sun Quest.
Sketch Tha Cataclysm: So coming off of a solid full length project like Journey Toward The Sun, what made you want to go back to the EP format?
The Rising Sun Quest: Well, basically, though I loved the LP, I felt like I didn't showcase some of the skills I had in terms of straight spittin'. A lot of those joints were conceptual, so the new EP just kinda has that raw MC feel; without structure and more aggressive.
Sketch: Was that decision based on a fan response you got to JTTS or from you?
Quest: JTTS was my most embraced project to date. Lots of people tell me how complete that album was. They're right *laughs* but though it had some elements that the new EP displays, I didn't feel it was enough. It was still in me to let out. Thus the title for the EP Hydrostatic Equilibrium. It was recorded to create a balance between the two projects. (With the previous Surviving Life LP)
Sketch: How has your recording techniques changed through all of the projects? I know the music was created with entirely different production tools back on Stellar Evolution (his debut EP).
Quest: Not much really. Yeah we got different production tools, but we use basically the same recording techniques. Its that Roland digital recorder, just a different version. . . same booth. I think I just take more time when I mix my stuff down. If anything, I'd say that's the biggest difference. Plus, the fact that I stopped making beats frees more time for me to focus on the mix downs and all.
Sketch: There seems to be two schools on recording vocals. Punch-ins and cats that like to rhyme straight through. What's your perspective and which did you use on the new project?
Quest: OK, me and Expertiz go in on this topic a bunch. My feeling is that if you're going to record your shit than do what you feel is best for the track. Don't let that MC pride get in the way of a good recording. First two albums, I hated to punch in. But, that's only because I didn't do it properly, so I could hear the big difference between my words. Now, in some cases its dope to have a contrast in your words when you want to emphasize something, but now I found a way to have a nice transitions between the punch-ins if needed. The bottom line is, punch ins, I'm ok with it, but if you can't spit your shit straight through on stage, then that's where I question your ability.
Sketch: Interesting point. As a performer myself I go back and forth. . . but. . . I have found that it is hard to duplicate some punch-in tracks live. Have you encountered this?
Quest: Not really because, like I said, certain times you want those punch in for the contrast, but that's not really my style. So usually, when I punch-in its only because I haven't perfected my delivery due to it being a new verse or maybe an off recording day. Onstage, I usually get through it, even if it means my vein is going to pop out my forehead; i.e. "Fire In The Sky", I punched in two spots for that track, but when I rock it, I spit it straight through with no hypeman.
Sketch: Lets get into the actual content.
Quest: Hip Hop has content? in 2009?
Sketch: Not really. . . I like to pretend its a serious art form from time to time. *laughs* You don't just straight spit on this EP. . . you take on some heavy topics. . . more on the dark side of things.
Quest: Ok you're right, but I would not feel right if I made an album without that element that is a Quest staple. If you go back, there has to be that one song that stabs at the heart: "Then You Die", "Helpless", "Mistaken", and "You Don't Know", those are a requirement for me.
Sketch: How about "I See You"? We talked about that being included briefly, but do you want to touch on the origin of that song for people who don't know? Quest: Oh yeah, but that's different. I guess the other tracks I named were more for shock value where as "I See You" and "Escape From What" were more the heart stabbers but yeah, "I See You" was an important song to me. I won't say I have my homies dying on a regular basis or nothing like that, but I have lost a few people in my life and also had family and friends locked up. And like I say in the song, we only think of them when there gone and I wanted to try to help realize that though we cant forget those we lost, we have to appreciate the ones we have. Songs like that are why I continue to do music. If I couldn't produce that right there and only could give you darts I would have stopped a long time ago.
Sketch: Something I wanted to bring up before we bounce was the music videos. You've now done four with 3 different directors. How do you approach music videos?
Quest: I don't *laughs* they approached me. Sketch: *laughs* Quest: Arjen (of Elasticbrand) was inspired by "Why I Write" (from Journey Toward The Sun) and he asked if he could do a video for it.
Sketch: Nice.
Quest: Before I hit him back, he e-mailed me a full story board with sketches and all and I was blown away by the work he put in. Before he even heard from me, well maybe he sent them on the second e-mail but regardless. And Snare did "Rock To The Rhythm". He was following me to shows for like a few months, stealing footage from different events. Of course, Dre from Make A Video, he just like you have been helping me out since before I can remember. I guess he had some new camera tricks he wanted to try but he wanted to do "Walk With The Beat". . . *laughs*. . . I don't even really like that song.
Sketch: *Laughs* Honesty!
Quest: But, I say if he is inspired to do the video for it, then let's do it. I'll stand in downtown like an idiot with four people looking like a weirdo in the middle of traffic rapping to no music. *laughs* It's so uncomfortable to do a video.
Sketch: Have you given any thought to how you are being portrayed? Since you put it in their hands?
Quest: Not at all all. Those cats I trust, with the exception of Arjen whom I didn't know at the time. I trust him now after that "Why I Write" joint and "Fire In The Sky" whooo!
Sketch: You look way more comfortable in the "Fire In The Sky" video.
Quest: That's because I was at the southern cross. The REAL southern cross. (Waterbury, CT's site of the former Holy Land U.S.A.)
Sketch: Slow motion shots of you turning and shit. *laughs*
Quest: *laughs*
Sketch: Arjen is the man!
Quest: Yeah man. That's all Arjen. He gave great direction. He had a vision and I just did what he asked. They are artists like me. . . they have a vision and I was their pen.
Sketch: So what's happening next for you? Another album?
Quest: Definitely already have some real dope concepts in mind.
Sketch: There's concepts in hip-hop? After this we cracked jokes for a second and he also reminded me to tell everyone to vote for him in the Hot 93.7 contest.
VOTE FOR QUEST!
We leave you all today with the video The Rising Sun Quest's "Fire In The Sky". I want to thank The Rising Sun Quest for taking the time and The Mad Bloggers for spreading the word. I'll see you all next on AntFarmAffiliates.com where my guest will be Cee Reed talking about his new album, Fight Or Flight.